Drawing by Judith Wolfe
Chris Parsons

Poem


      AFTER WAITANGI DAY

      Two panting dogs,
      polite predators
      moist with hunting dew,
      looking together with flint shining sharpness at forest remains.

      Older dog had leapt from a hungry waka
      and hunted as the first Adam of dogs,
      running down wingless giants with fire and obsidian
      in the green light of prehistoric growth.

      The younger one, salivating for bully beef near the sail loft,
      rowed ashore later, tail erect, on the prow of a clinker built boat.
      Racing into strange trees to paint its own effluent markers,
      smelling out another world in the same green light .

      Younger one became a Leviathan
      leaving bleached bones along the khaki hills.
      Pushing its great snout into all food, all water,
      While lean old dog dreamed of past feasts alone.

      But older dog is waking again, in a kairos time, sniffing free air, remembering its voice, the hunt, it's belly. Remembering a thousand years of rich solitude. They're circling, sniffing warily, to decide whether to hunt together for another thousand years, under the green light.

      ZEALANDIA HOLDING UP THE SHIELD

      What's to be done for a people
      lost of their songs and dances ?
      For a population of dull, undulating
      kelp, gone off and wandering
      in writhing currents.
      Sculled through the shoals
      by other's rippling Waiata

      For hollow men, Mr. Elliot,
      without hope or answers.
      Standing Victorian
      on lonely shores,
      silent guards 'gainst sea dangers.
      They've forgotten what they've fare-welled,
      looking for the return of strangers

      What's to be done for those nervous watchers?
      Running 'round the village,
      pounding the sands in hybrid vigor,
      because the chase distracts.
      Hunting tall poppies through the tracks,
      through wreckage of other worlds
      that we weave into mystic escape-craft.

      For those pursuing the new singers,
      who later try dancing shyly in moonlight waves.
      Rising on the swells of the great emptiness, the rise and the fall of it.
      Feeling the tides of Pacifika rhymes and winds
      draw on their very souls.
      Chiseling indelible lines,
      scrimshaw on European mind's exotic ivory.

      But there's quiet singing,
      aye, in places where you always hear water.
      They're trying to remember what the winds said,
      how to push out of the current.
      Struggle through foam to a place, without form.
      To turn from foreign suns,
      to find the God from whom they will get their own fire.


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