Drawing by Judith Wolfe
Glen Sorestad

Poems


      THE LANGUAGE OF HORSE

      To a ten year old boy from the city
      the Belgian draft horses of his uncle
      were humungous beasts, ominous,
      their looming nearness disturbing
      and fearful as steam locomotives
      when you stood on the trembling
      train platform. It was just one
      of the many fears he had to overcome
      in this strange new world of farm animals..

      In time he realized the horses
      were gentle, despite their daunting bulk
      and the greatest danger to him
      could result from their not being
      aware of his presence. Once, he tried
      to squeeze between Big Jim and the stall,
      only to be flattened against the stall wall
      when Jim expanded his substantial girth.
      At nearly two thousand pounds, Jim
      was not merely a large horse;
      in a small boy's eyes, Jim was gargantuan.
      It took his sudden loss of breath
      and near suffocation to teach him
      always to announce his presence,
      call out their names whenever he
      sought to approach them and never
      to take for granted that they knew
      he was there. But learn he did.

      It was the language of horse
      that baffled at first. He soon recognized
      each horse had its own harness,
      the contraption of leather and rings,
      buckles and straps horses worked in.
      But harness wasn't good enough --
      it was the skeleton and you had to know
      the names of all the bones.

      It was words like halter and hames,
      bit and bridle, collar and rein,
      words his uncle threw at him as if
      they were self-evident --.this language
      so foreign to him. It was a childhood
      epiphany that each new landscape
      he encountered from that point on
      would come with its own language,
      its own lexicon to be snapped
      or buckled in place, for him to become
      part of and in turn for it
      to become a part of him.

      THE PANHANDLERS

      Every day we see them along the busy street:
      standing, squatting, sitting, cross-legged
      silent buddhas, their backs against businesses,
      caps or hats or styrofoam coffee cups
      before them on the sidewalk awaiting
      coins or bills tossed by those few who
      may be piqued with sudden shock
      or shame about this world so removed
      from the routine comfort of their days.

      Where do they come from? Are these
      the permanent poor - street people who
      want their freedom to be street people,
      removed from the mundane ritual
      of driver's licences and income tax?
      Victims of natural calamities or victims
      of their own sorry doings? No matter.
      Victims are victims, the end the same.
      Their presence, their abject begging bowls
      are a sharp reminder how we have been
      spared, never forced down to our knees.
      Some pass in anger, some in sorrow,
      some, eyes front, refuse to see at all.
      In the end, we all pass by.


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