Drawing by Judith Wolfe
Davide Trame

Two Poems


      FARMHOUSE

      Window-sill.

      Your elbows on it, with a smile
      that lingered while you watched
      the car approaching
      and relished the sound
      of the gravel under the wheels,
      the screeching and crunching underneath
      wafted up enlightening the air,
      joyful crushed matter enjoying
      its neat rawness and its being there,
      wheels getting nearer and nearer,
      bit by tangible bit, the heart of the earth
      in your room in the morning.

      And on your bicycle you wanted
      to imitate it, slowly,
      pedalling, slow at the start,
      your adventure at the departure,
      the wheeling on a myriad of sparkles
      whose shots you threaded one by one.

      Garden.

      Your mother's gaze came forward
      when they drilled and found the water,
      she with a full glass in her hand,
      her fingers, her pupils, gently grasping
      a marvel, -drink it- she said
      and a radiance expanded,
      you sensed the glow of transparency,
      the indentures in the pattern of the glass
      shone with a flash
      of willing, unnamed depths.

      You felt them spreading
      sitting on the deckchair in the evenings,
      the crickets broadening the plain
      with the quiet rhythm of their chirping,
      the familiar breathing of the unknown
      boundaries of the grass,
      your skin brushed by the land's
      veins weaving.

      Bedroom.

      You walked up the stairs of light brown wood,
      brushing the faded floral pattern
      of the wallpaper, watching
      the spotted immobility
      of the wings of a moth,
      dimly lit steps bathed in a rosy hue;
      on top you walked outside
      and heard along the balcony
      the distances in the dark
      filled with dogs' howling
      that rose in arcs
      and spread and fell down slowly,
      you loved its appeased merging
      in the night growing large.

      In the bedroom the floorboards screeched,
      same light brown wood, raw like the stairs',
      they fed your steps with an all present air,
      feet thumping and shuffling,
      your shape a busy ghost
      when the light was turned off;
      in bed, criss-crossed by shadows
      you listened to the house,
      the branching breath of the beams
      and a snoring blossoming
      through the silence in the walls.

      In the morning an enamel jug
      and a large bowl were ready
      on the marble board over the chest of drawers,
      the jug the colour of milk, rich and smooth,
      with a pattern of leaves on the handle,
      simple neatness staring at you,
      you poured the water
      at one with its clear silence
      and wet your face slowly
      sensing the spotless smile
      you would for ages
      run after in the future,
      the full purpose of the moment
      being just right enough.

      Kitchen

      A flash of garden grass, tall and thick,
      an immediacy of soil enlightening the windows,
      while your memory of the floor is in a blur,
      maybe it was solid dirt or gravel with concrete
      but it's where you felt established on earth.
      The whole family sat at the big round table
      with on one side a huge cupboard, glossy
      dark brown wood with lighter lines,
      veins of marble winding in rich view,
      on the other side the grandfather's clock
      rooted on the spot, a solemn guardian
      measuring time in its still gaze
      on a light green-grey wall, time empty
      and unknown, stretching in fields of plenty.
      The time of luminous rustling afternoons
      and noisy dinners with grandfather's smiles
      and bouts of solar anger, the resin and bark
      and raw soil of words, the sudden swearing
      you were forbidden to imitate.

      On the street side the room branched
      into a narrow clattering scullery on the right
      and on the left the hearth, a large
      iron stove where “eyes” opened,
      a million small doors where wood burnt
      and around it a massive ring of stone,
      you sat on a parapet which garlanded the wall,
      your feet on the stone, there in the silence
      you felt ensconced, able to travel on the cart
      of the bustling earth's pulse.

      Not much later, when you were
      already in this future, you saw
      flash after flash of pickaxe
      and a heap of rubble where the ring was,
      you would never know if grandfather
      would have approved, you were gazing at
      shards of stone and childhood,
      earth to earth.

      NEAR

      You can never stare too long at the horizon,
      it's not the sun with its glare,
      nor the wind with the spray
      blowing straight on your face,
      it's not even that well-known unease
      at being face to face with just the waves
      and the line down there with nothing in between,
      it's your chin that simply drops after some time
      and your gaze that rests on the water's edge,
      on the quiet foamy shallows, it's more natural
      to meet what's near, as when you swim
      and see only a blur of foam and your skin,
      and from time to time flashes of the beach,
      when you are stung by seaweeds
      and fear the small electric shock of a jellyfish,
      you just dread this instantaneous contact
      with bright needles.
      It's this your unknown,
      you think you'll be always too busy with it
      and at the end it will perhaps all be like now,
      you getting out of the water watching your feet
      taking care not to slip on the stones
      and feeling a shell floating
      and touching the palm of your hand
      asking to be grabbed.

      NEAR

      You can never stare too long at the horizon,
      it's not the sun with its glare,
      nor the wind with the spray
      blowing straight on your face,
      it's not even that well-known unease
      at being face to face with just the waves
      and the line down there with nothing in between,
      it's your chin that simply drops after some time
      and your gaze that rests on the water's edge,
      on the quiet foamy shallows, it's more natural
      to meet what's near, as when you swim
      and see only a blur of foam and your skin,
      and from time to time flashes of the beach,
      when you are stung by seaweeds
      and fear the small electric shock of a jellyfish,
      you just dread this instantaneous contact
      with bright needles.
      It's this your unknown,
      you think you'll be always too busy with it
      and at the end it will perhaps all be like now,
      you getting out of the water watching your feet
      taking care not to slip on the stones
      and feeling a shell floating
      and touching the palm of your hand
      asking to be grabbed.


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